The Manor Inn Photograph Collection, PHC.173
Abstract
Photographs depicting the Manor Inn, 265 Charlotte Street, Asheville, NC, c. 1910-1970 (bulk c. 1910-1920).
Descriptive Summary
- Title
- The Manor Inn Photograph Collection
- Call Number
- PHC.173
- Creator
- Lavin-Tompkins, Jodi
- Date
- 1910-1970
- Repository
- Western Regional Archives, State Archives of North Carolina
Collection Overview
Photographs depicting the Manor Inn, 265 Charlotte Street, Asheville, NC, c. 1910-1970
(bulk c. 1910-1920).
The following is from the National Register of Historic Places:
The Manor and Cottages compose a picturesque small historic district, evocative of
Asheville's dramatic turn-of-the-century resort town boom era. The Manor, a resort
with an English inn atmosphere conceived by Thomas Wadley Raoul and his father William
Greene Raoul, was begun in 1898 on a 32-acre tract of land acquired by the elder Raoul,
a railroad magnate. To compete against the lucrative hotels and numerous boarding
houses in Asheville, the Raoul family also developed a village of individually designed
cottages adjoining the Manor, one of the Nation's earliest planned residential parks.
Suffering from tuberculosis, Thomas Raoul moved to Asheville and oversaw the development
of Albemarle Park, the dignified name his mother chose for the complex.
Much of the special qualities of the buildings erected between 1898 and 1920 comes
from a remarkable palette of residential designs and their integration into the mountain
landscape. Working in close collaboration with the Raouls, architect Bradford Gilbert
created individually designed cottages that each bear a distinctive design reflecting
the eclectic character of the Manor with various combinations of Shingle, Tudoresque,
and Colonial Revival styles. Landscape architect Samuel Parsons, Jr. created a superbly
planned landscape that takes maximum advantage of the natural mountain setting. Parsons
found the site to a be a challenge, offering him opportunities to incorporate its
rugged terrain, sweeping vistas, native stands of trees and woodland vegetation as
character defining features. Albemarle Park was a groundbreaking achievement for its
time because of Parsons's successful manipulation of slopes that averaged a 20 percent
gradient. He approached the landscape design with a sensitivity to the property's
natural beauty and worked to ensure that the overall effect be picturesque and provide
each cottage with a "miniature park."
Gilbert was the logical choice to design the Manor, the lodge (gatehouse), and several
of the early cottages because of his work with the senior Raoul on a number of railroad
projects. Working with the Raouls allowed Gilbert the freedom to experiment with revival
styles at the height of their popularity in the early 1900s. Galax and Rosebank, cottages
of the Dutch Colonial Styles, use cantilevered gambrel roofs and wood shingles as
siding and roof materials. An example of the half-timbered Tudor style is Clover cottage,
which features pebbledash (stone-textured stucco) and pegged timbering. The Shingle
style expressed the English concept in cottages like Milfoil, and is covered in wood
shingles with heavy timber posts and bracketing. Several buildings call upon the romantic
interpretation of the rustic Appalachian architecture, like Crow's Nest and Manzanita
that use wood shingles, tree limbs for porch supports and details and rough stonework.
The floor plans combine several sleeping rooms with one central living room. Kitchens
and dining rooms were not needed, as the summer guests ate all their meals at the
Manor. Additional residences were built during subsequent years for private use. While
it cannot be determined exactly what buildings in Albemarle Park benefited from Gilbert's
expertise after he designed the Manor Inn, a noticeable change in style can be detected
after his death in 1911. Architect Neil Reed of Atlanta and Richard Sharp Smith, supervising
architect of the Biltmore Estate, continued the pleasant European village atmosphere
created by Gilbert and Parsons, with the same touch of the Romantic and Victorian
era. Today, the Manor and Cottages district remains intact and survives as an example
of the picturesque resort development so important to the history of the North Carolina
Mountains. Through the years the cottages became year-round homes and the vacation
resort grew into a residential neighborhood.
http://www.nps.gov/nr/travel/asheville/man.htm
The Manor Inn ceased to operate as a vacation destination per se and became a "Retirement
Club" in the 1960's, operated by the family of the collection's donor, Jodi Lavin-Tompkins.
The family sold out and retired in the 1980's and the Manor Inn experienced a period
of decline before being purchased by an Asheville preservation group c. 1990. The
cottages had mostly been sold by this time to people for use as private residences,
and in 1992 the main inn was purchased and restored and is presently a successful
luxury apartment complex featuring 35 units with no two alike.
A small booklet detailing the history of the Manor Inn was published in 1991 - The
Manor and Cottages, Albemarle Park, Asheville, North Carolina: A Historic Planned
Residential Community by Charles A. Birnbaum, Jane Gianvito Mathews, Richard A. Mathews.
Interesting fun facts about The Manor Inn:
Grace Kelly lived there in 1954 while she was filming in the area.
Some of the movie The Last of the Mohicans starring Daniel Day Lewis was filmed
at the Manor Inn - the lobby was used as a fort interior in the film.