This Is The Army Collection, WWII 121

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This Is The Army Collection, WWII 121

Abstract

The This Is The Army Collection documents the entirety of the international tour of American songwriter Irving Berlin's traveling U.S. Army play This Is The Army, which was performed from October 1943 through October 1945 during World War II. Developed from the 1942 Broadway musical play and the 1943 Hollywood film of the same name, This Is The Army (abbreviated by the cast and crew as "TITA") was initially designed to raise money for the war effort in the United States, and featured one of the most famous wartime songs of the 1940s "This Is The Army, Mister Jones." TITA became the biggest and best-known morale-boosting show of World War II in the U.S.

Beginning in October 1943, TITA left the U.S. for England, where it remained through February 1944. From there, they traveled to North Africa, Italy, Egypt, Iran, India, Papua New Guinea, the Philippines, Guam, Mogmog Island, Okinawa, Iwo Jima, Hawaii, and numerous other locations in the Pacific Theater. The play traveled with makeshift stages that they set up on numerous locations and U.S. military installations/camps. The play's cast played to hundreds of thousands of U.S. service individuals, including women's bases and camps such as the Women's Army Corps (WAC) camps in the Pacific.

This Is The Army was the only full-integrated military unit in the U.S. Armed Forces during WWII, with African American men eating, performing, and traveling with their fellow white cast and crew members. The cast was all-male, which required the men to dress as women in drag for the women sketches in the play. In all, the play would prove to be the beginning of the eventual desegregation of the U.S. Armed Forces under President Harry S. Truman's 1948 Executive Order 9981.

This particular collection of photographs was mostly taken by singer and later celebrity photographer Zinn Arthur. Arthur would select and send these roughly 400 photographs to singer Robert Summerlin of Tarboro, N.C., who added and improved descriptions of the photographs based on a list of the majority of the photographs sent to Summerlin by Arthur at some point after WWII. Although Arthur is credited with taking most of the photographs, although some of the photographs may have been copied and printed from other photographers in what was called the TITA Camera Club. At the very least, the photographs are attributed to Zinn Arthur based on the original list he created and numbered the photographs in, whether he printed or took the photographs.

The collection also has six original programs and flyer for the play, particularly during its time in Italy and the Pacific Theater in 1944 and 1945. These programs were collected by Robert Summerlin while he was with the cast of the play. There are also collectible Italian postcards Summerlin picked up while in Italy with TITA. The collection includes newspaper clippings documenting the play and Summerlin's role in it during WWII. This collection of the This Is The Army photographs is the only known publically-available collection of these images in the United States.

Descriptive Summary

Title
This Is The Army Collection
Call Number
WWII 121
Creator
Summerlin, Robert W.
Date
November 1943-October 1945, 1962, undated
Extent
0.800 cubic feet
Repository
State Archives of North Carolina

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Restrictions on Access & Use

Access Restrictions

There are no restrictions on accessing this collection.

Use Restrictions

There are no known restrictions on using this collection. It should be noted that some of the photographs contain partial or full nudity of the cast and crew on transport ships; scenes of topless native women in the Pacific Theater; and images of the play's performers in blackface. It is recommended that children under the age of 16 not view these photographs without the permission and accompaniment of a parent or legal guardian.

Preferred Citation

[Item name or title], [Box Numbers], [Folder Numbers], This Is The Army Collection, WWII 121, WWII Papers, Military Collection, State Archives of North Carolina, Raleigh, N.C.

Collection Overview

The collection documents the entirety of the international tour of American songwriter Irving Berlin's traveling U.S. Army play This Is The Army, which was performed from October 1943 through October 1945 during World War II. Developed from the 1942 Broadway musical play and the 1943 Hollywood film of the same name, This Is The Army (abbreviated by the cast and crew as "TITA") was initially designed to raise money for the war effort in the United States, and featured one of the most famous wartime songs of the 1940s "This Is The Army, Mister Jones." TITA became the biggest and best-known morale-boosting show of World War II in the U.S.

Beginning in October 1943, TITA left the U.S. for England, where it remained through February 1944. From there, they traveled to North Africa, Italy, Egypt, Iran, India, Papua New Guinea, the Philippines, Guam, Mogmog Island, Okinawa, Iwo Jima, Hawaii, and numerous other locations in the Pacific Theater. The play traveled with makeshift stages that they set up on numerous locations and U.S. military installations/camps. The play's cast played to hundreds of thousands of U.S. service individuals, including women's bases and camps such as the Women's Army Corps (WAC) camps in the Pacific. They traveled by troop transport ships, rented cargo ships, and landing crafts.

This Is The Army was the only full-integrated military unit in the U.S. Armed Forces during WWII, with African American men eating, performing, and traveling with their fellow white cast and crew members. Many of the men were not just performers before the war, but also recruited to perform in the cast from the U.S. Army ranks in 1943. The cast was all-male, which required the men to dress as women in drag for the women sketches in the play. In all, the play would prove to be the beginning of the eventual desegregation of the U.S. Armed Forces under President Harry S. Truman's 1948 Executive Order 9981.

This particular collection of photographs was mostly taken by singer and later celebrity photographer Zinn Arthur. Arthur would select and send these roughly 400 photographs to singer Robert Summerlin of Tarboro, N.C., who added and improved descriptions of the photographs based on a list of the majority of the photographs sent to Summerlin by Arthur at some point after WWII. Although Arthur is credited with taking most of the photographs, although some of the photographs may have been copied and printed from other photographers in what was called the TITA Camera Club. At the very least, the photographs are attributed to Zinn Arthur based on the original list he created and numbered the photographs in, whether he printed or took the photographs.

The collection also has six original programs and flyer for the play, particularly during its time in Italy and the Pacific Theater in 1944 and 1945. These programs were collected by Robert Summerlin while he was with the cast of the play. There are also collectible Italian postcards Summerlin picked up while in Italy with TITA. The collection includes newspaper clippings documenting the play and Summerlin's role in it during WWII. This collection of the This Is The Army photographs is the only known publically-available collection of these images in the United States.

Arrangement Note

The collection is arranged by format, then chronologically where possible within folders.

Biographical Note

Robert Wesley Summerlin was born on December 20, 1918, in the town of Pinetops in Edgecombe County, N.C., to Robert and Mary Emma Dupree Summerlin. Mary Dupree originally married William B. Harrell on October 15, 1902, and the couple had several children together. William Harrell died in November 1912, leaving Mary as a widow. She would remarry to Robert Summerlin on March 14, 1915, in Edgecombe County. Robert Summerlin (Sr.) died on June 12, 1926, leaving Mary to be a widow once again. By 1930, the Summerlin family had come to live in the city of Tarboro, N.C., where Mary's older children and son-in-law supported her and her youngest child Robert.

Robert Summerlin attended and graduated from Tarboro High School. He would end up later traveling to Los Angeles, California, to study professional dancing. Summerlin attended the Ernest Belcher School of Dancing in Hollywood. He would go through dancing training at several Hollywood dance studios, and participated in amateur shows in Los Angeles. Summerlin was a member and dance instructor at the Hollywood Athletic Club for the two years before his military service.

Summerlin was inducted for active military service in the U.S. Army for World War II on May 7, 1942, at Fort McArthur, California. He was sent for training to Camp Claiborne, Louisiana, where he held the rank of Private. Summerlin was sent overseas to the European Theater, arriving in England on July 18, 1942. He was sent to North Africa in February 1943, where he served in an Army engineering unit as a Corporal. The engineering unit distinguished itself in the North Africa campaigns against the Germans. Summerlin moved with his unit to Italy in November 1943 in the invasion of Italy.

While in Italy at a U.S. Army rest camp around April or May 1944, Summerlin was connected somehow with songwriter Irving Berlin, who discovered Summerlin's dancing skills. At the time, Berlin needed replacements for parts of his cast of the traveling U.S. military play This Is The Army (TITA), and Summerlin joined the show in May 1944. The play had been in England, Ireland, and Scotland, from October 20, 1943, when the cast left the United States for Liverpool, England, until the end of February and first of March 1944, when the play traveled to North Africa for a period in Algeria before Italy.

Summerlin's first performance with the cast of TITA was in Rome, Italy, where he had his rank lowered back to Private now that he was with the U.S. Army's This Is The Army Detachment (Detachment number 0665-A). Ironically, Summerlin was described in the cast of the play as a singer, though he also danced. The play was in Italy from March through July 1944. Summerlin traveled with the cast and crew of TITA to Egypt, Iran, India, Australia, Papua New Guinea, and throughout the Pacific Theater from August 1944 to September 1945. In October 1945, the play sailed into the harbor at Honolulu, Hawaii, arriving back on U.S. soil for the first time in two years.

Robert Summerlin remained in the U.S. Army until being discharged from active service on October 17, 1945, after completing performances in Hawaii in the first half of October. Little is known about Summerlin's life after his World War II service. He would come to live again in North Carolina by the late 1980s or early 1990s, living in Tarboro, N.C., with his half-sister Mattie Ricks Harrell Jackson living in the same city. It is unknown if Summerlin ever married. Robert W. Summerlin died on August 13, 1993, in Greenville, N.C.

Historical Note

The international tour of American songwriter Irving Berlin's traveling U.S. Army play This Is The Army was performed from October 1943 through October 1945 during World War II. Developed from the 1942 Broadway musical play and the 1943 Hollywood film of the same name, This Is The Army (abbreviated by the cast and crew as "TITA") was initially designed to raise money for the war effort in the United States, and featured one of the most famous wartime songs of the 1940s "This Is The Army, Mister Jones." TITA became the biggest and best-known morale-boosting show of World War II in the U.S.

After the film of the same name came out in 1943, the plan for the traveling play-at first-was for the TITA company to play throughout England for three months, after which TITA would be disbanded for good. The company reassembled at Camp Upton, New York, on September 5, 1943. The men of the cast and crew--all who were members of the U.S. Army--received carbines and took target practice in and around their tap dance and minstrel routines, in order to stay in military shape in case of enemy attacks in the field. Organizationally, the play's cast and crew served during WWII in the U.S. Army as detached soldiers in the This Is The Army Detachment (Detachment number 0665-A). Some regular soldiers were attached to the unit to make it a legitimate military force. The cast and crew was reduced from the pre-touring numbers to 150 men for the international tour.

Beginning in October 1943, TITA left the U.S. for England, where it remained through February 1944. From there, they traveled to North Africa, Italy, Egypt, Iran, India, Papua New Guinea, the Philippines, Guam, Mogmog Island, Okinawa, Iwo Jima, Hawaii, and numerous other locations in the Pacific Theater. The play traveled with makeshift stages that they set up on numerous locations and U.S. military installations/camps. The play's cast played to hundreds of thousands of U.S. service individuals, including women's bases and camps such as the Women's Army Corps (WAC) camps in the Pacific. They traveled by troop transport ships, rented cargo ships, and landing crafts.

This Is The Army was the only full-integrated military unit in the U.S. Armed Forces during WWII, with African American men eating, performing, and traveling with their fellow white cast and crew members. Many of the men were not just performers before the war, but also recruited to perform in the cast from the U.S. Army ranks in 1943. The cast was all-male, which required the men to dress as women in drag for the women sketches in the play. In all, the play would prove to be the beginning of the eventual desegregation of the U.S. Armed Forces under President Harry S. Truman's 1948 Executive Order 9981.

Contents of the Collection

Box 1
Box 1
Box 2
Box 2

Subject Headings

  • Berlin, Irving, 1888-1989
  • Acquisitions Information

    The materials in the collection were received by the Military Collection at the State Archives of North Carolina from Clayton Jackson of Cary, N.C. (believed to be Robert W. Summerlin's nephew), in November 2001, with the donation completed in July 2003.

    Processing Information

    The collection was originally arranged after 2002 by the then Military Collection Archivist in a grouping based on four main themes of the content of the photographs: general World War II scenes; indigenous natives and rituals; leisure time activities for the cast and crew; and the performance itself. This arrangement was not always consistently followed, nor was it particularly helpful for researchers to be able to follow chronologically the travels of This Is The Army (or "TITA," as the cast referred to it) internationally from October 1943 to October 1945. This arrangement was artificial as well. It was determined that the collection should be reprocessed from its prior arrangement and storage in order to separate the materials in the collection into smaller groups by format, to allow for better long-term preservation of the collection and to better reflect the original creators' organizational intentions.

    The collection had originally been named "This Is The Army Collection" when it was first processed by 2003. Sometime between 2008 and 2013, the collection's name was changed to the "Robert W. Summerlin Papers," reflecting the name of the North Carolinian who originally owned the materials. However, in order to bring more attention to the contents of the collection and make it more visible, when the collection was reprocessed it was determined to change the name of the collection back to "This Is The Army Collection." This was also done because the majority of the materials reflected the play rather than Summerlin's personal role as a performer with the play. More people looking for images and programs for This Is The Army or works by Irving Berlin are like to see the collection's title and recognize it this way, than they would be recognizing Summerlin as a performer in the play.

    The particular set of photographs in this collection was mostly taken by singer and later celebrity photographer Zinn Arthur. Arthur was an amateur photographer who-apart from the play's official U.S. Army Signal Corps photographer David Wurzel-is noted to have been the primary photograph for the cast and crew of TITA during WWII. In the book entitled The Songwriter Goes To War: The Story of Irving Berlin's World War II All-Army Production This Is The Army, author and stage manager for the play Alan H. Anderson writes in the book's Acknowledgements that Arthur was responsible for a full pictorial account of TITA's travels and performances in WWII.

    Arthur would select and send these 419 photographs to singer and fellow cast member Robert Summerlin of Tarboro, N.C., who added and improved descriptions of the photographs based on a list of the majority of the photographs sent to Summerlin by Arthur at some point after WWII. Although Arthur is credited with taking most of the photographs, some of the photographs may have been copied and printed from other photographers in the TITA Camera Club, made up of at least 16 other cast and crew members. At the very least, the photographs are attributed to Zinn Arthur based on the original list he created and numbered the photographs in, whether he printed or took the photographs. This list of photographs is included in Box 2, Folder 9, of this collection.

    Zinn Arthur numbered his photographs (at least those he collected) on the negatives with a negative pen, starting with "1" up to "400." Not all of these photographs are in the collection, as some appear to have been removed from Arthur's original set prior to being donated to the State Archives. There are a number of photographs with no negative numbers on them, which are believed to have been taken or collected by Robert Summerlin (however, you cannot know for sure).

    In a note at the end of Arthur's typed list of photograph descriptions, he asks for Summerlin to add descriptions for the photographs by writing on the photographs any additional information Summerlin had or knew about the photographs. Towards that end, Summerlin appears to have created two handwritten lists on ruled notebook or notepad paper, with letter abbreviations and numbers with photograph descriptions. Summerlin wrote in pen these letters and numbers on the front corners of the photographs, even where Zinn Arthur had already identified them. For example, Summerlin writes "NN" for one image, but "123" for another. It is unknown why, or if Summerlin did all of these descriptions himself. Not all of Arthur or Summerlin's identifications or dates are correct. Research was conducted in period resources where possible to confirm dates. Also, Alan Anderson's book The Songwriter Goes To War gives locations, dates, and specifics that were used to help fill out image descriptions and dates. The processing archivist created a timeline of all of TITA's travel locations and dates based on Arthur, Summerlin, and Anderson's information to help get the most reliable dates possible for the photographs.

    Some of the programs from TITA are fragile from being stored during the play's international travels on transport ships, and from overhandling. Because of their fragility, these programs were placed in acid-free archival plastic photo sleeves to keep the pages or parts of the programs that are starting to tear together. Also, the sleeves will stabilize them for long-term storage, and to make them safer for handling by researchers.

    The photographs in the collection have been individually stored in an acid-free, archival plastic sleeves to allow for researchers to handle the original images without causing damage to the images' surface, and to improve preservation during long-term storage. The photographs have been numbered with a soft HB No. 2 pencil on the back, according to the collection number, the box and folder number, and an individual image number. For example, the number "WWII 121.B1.F1.1" should be interpreted as "WWII 121 collection, Box 1, Folder 1, Photograph 1." The identifications of these images have been created in the finding aid, but not written on the photograph itself. However, there are identifications for some of the photographs written in pen on the back of the photographs by their creators. Historical research was conducted to verify content and original photograph identification by the creator to provide an accurate description for the photographs.

    Newspaper clippings and newspaper articles which were retained were photocopied as preservation copies, to protect other archival materials in a given folder from being further discolored by the acidity in the newspaper clippings. Newspaper citations were retained on the preservation copy if such information was pre-existing on the original newspaper clippings.